A Reyna da Escóssia é uma pessoa poético-jurídica constituída por normas desenvolvidas durante o Mestrado Acadêmico no Programa de Pós-Graduação em Artes Visuais da Universidade de Brasília, sob orientação do Prof. Dr. Christus Nóbrega. Partindo da observação de alguns projetos de poder, tais como a culpa como mecanismo de desresponsabilização racial e a soberania como exercício da necropolítica no Sul global, cartografei esse território a partir da herança materna do meu sobrenome e o habitei com Órgãos que tentam se controlar: a Primeira Ministra da Reyna da Escóssia (Poder Executivo), Ecúmeno Apostólico (Poder Judiciário) e Venerável Mestre Maçom (Poder Legislativo). Mediante a (auto)crítica institucional e o diálogo com outras artistas-pesquisadoras, proponho um experimento de interdisciplinaridade entre os campos das Artes Visuais e do Direito.
The Kween of Scotland is a legal entity constituted by norms developed during the Master’s in Visual Arts at the University of Brasília, oriented by Prof. Dr. Christus Nóbrega. Based on the observation of some power projects, such as the guilt as a mechanism of racial disaccountability and the sovereignty as an exercise of necropolitics in the global South, I mapped this territory from the maternal inheritance of my surname and inhabited it with Organs that try to control themselves: the Prime Minister (Executive Power), Apostolic Ecumene (Judicial Power) and Venerable Master Mason (Legislative Power). Through institutional (self)criticism and dialogue with other artist-researchers, I propose an experiment of interdisciplinarity between Visual Arts and Law.
The Kween of Scotland is a legal entity constituted by norms developed during the Master’s in Visual Arts at the University of Brasília, oriented by Prof. Dr. Christus Nóbrega. Based on the observation of some power projects, such as the guilt as a mechanism of racial disaccountability and the sovereignty as an exercise of necropolitics in the global South, I mapped this territory from the maternal inheritance of my surname and inhabited it with Organs that try to control themselves: the Prime Minister (Executive Power), Apostolic Ecumene (Judicial Power) and Venerable Master Mason (Legislative Power). Through institutional (self)criticism and dialogue with other artist-researchers, I propose an experiment of interdisciplinarity between Visual Arts and Law.
Retrato da Reyna da Escóssia, 2022
Kween of Scotland's portrait
Foto-performance
︎ Jean Peixoto
Montagem / Collage Natália Godoy dos Santos
Pronunciamento da Reyna da Escóssia: isto NÃO é outro macho palestrinha!, 2021
Statement by the Kween of Escóssia: this is NOT another mansplaining lecture
Palestra-performance / Lecture-performance
Agradecimentos / Acknowledgements Alina Duchrow, Alice Bemvenuti, Camila Torres, Christus Nóbrega, Clara Molina, Dandara Ferreira, Daniel Mira, Danilo Piermatei, Darley Cardoso, Diana Medina, Diego Bresani, Guilherme Moreira, Henrique Detomi, Julia Tempesta, Karina Dias, Kleber Damaso, Laila Varaschin, Laura Papa, Leandro Garcia, Letícia Miranda, Luciana Ceschin, Matheus Pires, Nilson Filho, Pedro Braule, Raísa Curty, Rosa Schramm, Tais Aragão, Taís Koshino, Yana Tamayo.
Yung Rapunxel Pt. II, Azealia Banks